Wrapping Up

Hi guys.

I know it's been a long time since I posted anything, and there are no excuses, and I should be ashamed of myself for neglecting this blog and my online compatriots. I just got bogged down with work, the play I was working on, and my own writing. There have been some interesting developments -- I've started working with short stories as a medium, which has produced some interesting results -- and some less interesting developments -- which I'll spare you, because they aren't worth talking about.

It's coming down to the end of the year, and I thought I'd turn my gaze back to some of those resolutions I made at the start of the year to see how that all went. Do y'all remember all the things your swore to do at the start of the year? I know I had to go dig mine up to remember them all.

Writing Resolution

• Edit and revise Thief Book, Cordamant's Heir, and Legal Aliens. I actually did this one. I revised all three texts majorly. I have since moved away from the Thief Book, but I'm definitely going to devote some more time in the new year to doing even more work with Cordamant's Heir.
  
• Mini Goal: Edit 1k words a day. Pretty sure that's how the above was accomplished, so I'll call this one a success as well. So far, we are (2/2)
  

Reading

• Read 65+ books this year. I'm still working on this one, but I have high hopes for it. I only have 1 book to go, and I'm currently powering through The Girl with the Dragon Tattoo so that I'll have it done before we go see the movie. So, that gives me four days. I think I'll have that done.
  
• Read Complete Works of William Shakespeare. While I made great strides with this one, I have not completed it. I still have nine plays to go on this front, and I honestly don't think I'll be able to finish this one up in time. Even if I do count only watching the plays instead of reading them.
  
• Read the Bible cover to cover. This got nowhere near accomplished. I read a good hundred pages or so, but there's only so behind in this sort of project you can get before you have to cut your losses and run. I basically gave up on this one in around March. So, basically, we're at (3/5).
  

Blog

• Post 3 times a week. Most likely MWF, but we'll see. I think we all know this one went completely to hell some time around September. Trying to resurrect it and my self-respect as a blogger. My most abject apologies.
  
• Get back into the blogosphere and read more blogs. See above.

That brings my year long total to (3/7). Not my best work, I'll have to admit. So, next year, I'll have to take some serious consideration before I immediately decide to bite off more than I can chew.

Then again, you know, I like dreaming big. I like reaching for a little (sometimes a lot) more than I can possibly achieve. Because, you know, that's the only way I'm ever going to get more than I ever thought I could. If I still try for it.

So, really, 3/7 completed isn't my best score yet. But I made a lot of progress on all fronts, even the ones that didn't look so good at the end or didn't turn out to be everything I'd hoped. And you know what, it's been a pretty great year.

How's your year been, mes amis?

Big Changes

So, Tuesday morning The Other One cut off my hair with a pair of scissors. A lot of it. Roughly 18 inches.

In her defense, this was preplanned, and I'm happy with the result. Still, it's a big change.

Embarrassing confession: The first time she came at me with the scissors, I screamed and ran into a corner -- notably with my hair to the wall to protect it. She carefully set the scissors down and said we'd try again when I was feeling better. This has brought her much amusement. In my defense, The Other One has always had a Use It and Lose It policy towards my hair. If it hit her, she was coming after it with scissors. She never actually cut it off, but there are some associations in my mind, apparently.

Eventually, my hair was considerably shorter, my old hair was laying neatly contained on my counter, and I was jumping up and down to see how my shorter hair bounced. (I promise I'm a reasonable person most of the time.)

The moral of this story is simple: Change is scary. (I know, no one's said that before.) Although I've been thinking about short hair for a while now (read: months and months), but actually gearing up to do it shocked me and took some adjusting.

Now I'm gonna circle this one back to writing, because I like to pretend that's what this blog is really about.

You ever look at an MS you need to edit and think about running away because oh my goshness you just have to make so many huge changes and it's going to be so hard and different? Ever get scared about a new idea, because it's just so different from everything you've ever done before and you just know it's going to be hard and messy? Ever stepped away from one set of characters to realize you've been with them so long you're not sure if you can write other characters half so well?

Growing as a writer develops messy and unpleasant things like thought and diligence and work. Sometimes it even involves changing our ideas, changing our stories and characters, or even changing in ourselves. But we have to do it if we ever want to be better, to be the best writers we can be. Yes, change is scary. Yes, new stuff is scary. But, yes, it is also totally worth it.

Any big changes on your end lately?

French It Up A Bit

This weekend, I finished my first draft of Imogen and Leander. I am, of course, at lose ends. Apparently, I don't know what to do with myself when I'm not writing.

Anyway, this is the first story I've ever seen all the way through that contained multiple protagonists. Guess who they are. While other projects I've worked on have had a male lead who went opposite my female lead, that guy tended to be more of a Love Interest than a Male Protagonist. He wasn't the guy I was following around, generally.

Still, as I was writing, I kept getting the feeling that instead of sharing the screen time, as it were, Imogen was really hogging the limelight. So, reverting to my theater days, I made up a French Scene Breakdown.

Technically, a French Scene is a scene that begins and ends with an actor’s entrance or exit. So a French Scene Breakdown shows you when the character enters and exits the scenes.

Or, a visual example from Imogen and Leander. (I started with just Imogen and Leander, but I tacked on breakdowns for their primary compatriots, largely for my own amusement.)



This sort of chart strongly backs up my suspicion that while Leander does appear on more than half the pages of the text, he really is comparatively less represented. I'm taking this as a serious reminder that in my next draft I really need to go back in a beef up his storyline. Because, really, as my Male Protagonist, he's got to be doing as much as my Female Protagonist, or I'm going about this story the wrong way.

I think French Scene Breakdowns are very useful for analyzing plots and keeping track of story threads. It's a visual indicator of how often you're hitting all of your notes, a fact that can easily slip away from you in a large project.

Do you ever make something like a French Scene Breakdown? Have you ever used something like this ever? Do you like doing visual breakdowns? What sort?

Numbers or Letters

For the record, this post was inspired by this video from the vlogbrothers who are, of course, made of awesome. Watch and enjoy.

In the video, John Green talks about this crazy idea that people have that literature is somehow easier than math or that math is this really complicated, incomprehensible thing, and how this just isn't true.

I have these memories of sitting at a table with some friends of my father listening to their son talking about the math he was studying at college and thinking, "Wow, he's really freaking smart." Because I did not understand that math he was talking about, but it sounded really freaking cool. And the characters I write tend to be math people, not literature people, which is weird, since I've always been a literature person.

Then again, my mother did advanced work in Chemistry, and she thinks I'm doing something really complicated by writing. And I've some friends who are math people who think literature is really complicated because it doesn't come with a set right answer.

You're probably asking why I'm rambling about all this. I guess it's just saying that sometimes it helps to remember that things are just hard, because you don't know how to do them, and just because something is hard to you or involves numbers or a foreign language or anything else doesn't make it more valuable than other things.

Boiling it down: Life is cool, and knowledge is beautiful.

So, how about you, numbers or letters or both?

Got Dreams?

Last night, I watched the movie Tangled, an enjoyable film. In one scene, the MC tells several scary-looking men about her dream, and they begin sharing their's (a lovely return to the idea that there's a little good in all of us). It was nice. Later in the movie, a character remarked that the when one finishes one dream, the nice thing is that one gets a new dream.

This made me think. Because that's what all characters have. They have a dream, something they want more than anything else in the world. Maybe it's not what they're doing right now, maybe it's not something they think can ever happen, but it's something that's in there.

My present MC had a dream (live happily ever after with her husband). It fell off in the middle (she's pretty sure he's dead). She got a new dream (save her dad's life). Her dreams keep her going when all the other things are going horribly wrong.

Dreams are good for characters. They're definitely good for keeping them going. After all, they're something to hope for when everything else has already gone completely to heck (as things tend to do when a writer is in control and trying to raise the tension).

I've got a dream. It's got something to do with the stuff I tend to yammer about on the blog. As we might have guessed.

What about your characters? What do they dream about? What's your dream?

So, Here's What Happened

Okay, let me catch you up, a while back, the author of this blog went to see a play, and every now and then, one of the characters would turn to the audience and basically tell them everything that had happened before the show, had already happened in the show, or was about to happen in the upcoming scenes. Now, whenever he was appearing as an actual character in a scene, she didn't mind him at all. It was when he turned into Captain Exposition that she thought he was annoying.

He was. Because, really, the audience didn't need him explaining any of these things. Usually, they were cleared up much more amusingly during the following musical number. So, really, he was just wasting the audience's time.

She just wanted the people to sing and him to shut up. Then she decided to go home and do a blog post about him and how things are more interesting when you show instead of tell, because the telling thing gets old real fast, even when you've got humor to cover.

...

...

Thanks for that, Captain Exposition. I was gonna write a whole post, but you sorta just stole my thunder. I guess I'll just go away now and have some tea. I'll see you all later.

If you have any thoughts, comments, or questions, I'll be happy to hear them. And I'll try to keep Captain Exposition away.

So Bad It's Good?

The other day, Captain Film Major mentioned that when he comes across a bad line or scene in a movie, he'll rewind and watch it over again. When I asked why he would want to inflict that on himself a second/third/umpteenth time, he said he wanted to make sure it was really as bad as he'd originally thought.

Though this originally struck me as a little unusual (read: crazy weird) it's since dawned on me that it's not the most uncommon thing. After all, when I'm reading a conversation that seems to be going off the rails or the character is saying something utterly ridiculous, I find myself pausing to redirect the scene or patch up the rocky bits. I find myself trying to save it. Is that so different from Captain Film Major trying to see if maybe it wasn't that bad.

This leads me to an interesting thought. Normally, as writers, we are told to revisit works we considered particularly fantastic so that we could study what that author did right. Might it not also be worth our time to consider some things that were particularly awful so that we can see just went wrong and, possibly how it could have been made better?

Maybe studying things that we thought we massive train wrecks could actually be a useful tool for finding the errors in our own work and learning to correct them.

Do you ever find yourself revising work that's already done/published/released for your viewing pleasure? Have you ever read/watched/studied something just for its level of badness? Is there something to be learned from work that was just plain awful?