Visual Stimuli?

This weekend, I attended a lecture given by a director/scenic designer. As someone who spends a fair amount of time working on theater, I found it a very interesting discussion. One thing that really struck me was the extent to which the designer relied on visual stimuli. He poured over thousands of visuals until he found the ones that spoke to him. That's where he drew most of his inspiration from.

This took me somewhat by surprise. In hindsight, I guess it shouldn't have. Theater really is a very visual medium. Except, when I do it, I still don't approach it in that sort of visual way. I make spreadsheets and checklists. Maybe that's just me. I often prefer words to just a picture. Or music. I've mentioned before here how I like that for inspiration. I've just never thought of myself as highly visual.

Which was why I was surprised by how much I like Pinterset. It's a website where you can set up boards, like cork boards, and collect on them images that you like, that interest you, that inspire you. I heard about it ages ago, but I only got one recently after all of my friends proved to me how awesome it is. I must say, they had a point.

Pinterest is a great tool for people who like visual inspiration or even those who just like looking at pretty things. It's a great site, and I'd highly recommend it.

For more on getting the most out of Pinterest, I'd suggest reading Rachel Gardner's thoughts on the subject.

How do you feel about Pinterest? Do you enjoy visual stimuli?

French It Up A Bit

This weekend, I finished my first draft of Imogen and Leander. I am, of course, at lose ends. Apparently, I don't know what to do with myself when I'm not writing.

Anyway, this is the first story I've ever seen all the way through that contained multiple protagonists. Guess who they are. While other projects I've worked on have had a male lead who went opposite my female lead, that guy tended to be more of a Love Interest than a Male Protagonist. He wasn't the guy I was following around, generally.

Still, as I was writing, I kept getting the feeling that instead of sharing the screen time, as it were, Imogen was really hogging the limelight. So, reverting to my theater days, I made up a French Scene Breakdown.

Technically, a French Scene is a scene that begins and ends with an actor’s entrance or exit. So a French Scene Breakdown shows you when the character enters and exits the scenes.

Or, a visual example from Imogen and Leander. (I started with just Imogen and Leander, but I tacked on breakdowns for their primary compatriots, largely for my own amusement.)



This sort of chart strongly backs up my suspicion that while Leander does appear on more than half the pages of the text, he really is comparatively less represented. I'm taking this as a serious reminder that in my next draft I really need to go back in a beef up his storyline. Because, really, as my Male Protagonist, he's got to be doing as much as my Female Protagonist, or I'm going about this story the wrong way.

I think French Scene Breakdowns are very useful for analyzing plots and keeping track of story threads. It's a visual indicator of how often you're hitting all of your notes, a fact that can easily slip away from you in a large project.

Do you ever make something like a French Scene Breakdown? Have you ever used something like this ever? Do you like doing visual breakdowns? What sort?

New Favorite Toy

Okay, in spite of being stupidly busy, I have recently discovered something that makes me very happy. The Online Etymology Dictionary. It tells you how words have been used through history.

This is helpful, since I've been using 1813 as a frame year for The Thief Book. Did you know kid, around that time, was a term for a skillful young thief. That's going to be useful in my revisions. :D And I know I'm gonna be killing time with this site in the future.

Just wanted to pass that on.